Showing posts with label boarding school. Show all posts
Showing posts with label boarding school. Show all posts

Sunday, November 30, 2025

"For this is all a dream we dreamed one afternoon, long ago...."


Angela + Angela, 1995.

Angela was my best friend from boarding school. I met her on the first day of freshman year at Marian Heights Academy, in August 1988. Eighteen days ago, on Wednesday, November 12th, I lost her to a car accident.

Although it's lifted somewhat, I'm still in a great deal of shock. Still doing that thing where I wake up in the morning and then it hits me all over again. "Oh that's right, Angela's gone." For the first few days after getting that phone call, I was 100% on autopilot, going around in a zombified grief-trance. I was so out of it that my family wouldn't let me drive. I notified a few classmates of Angela's passing, but selfishly gave up after the fourth call because it made me sick to say the words, and typing them out felt even worse.

Since attending Angela's visitation (John and I drove down to Missouri to pay our respects last weekend), the dam has broken and I've officially entered the blubbering, sobbing mess phase. The Sally Field "I want to know WHYYYYYY!" phase.   



Appropriately, Angela and I were in Steel Magnolias together our senior year of high school, and Angela played M'Lynn, the Sally Field character who gets to make that speech. (I was Miss Clairee -- I got to say, "Go ahead M'Lynn, slap her!")


Clairee and M'Lynn, backstage on the set of Steel Magnolias, 1992.

Angela and I played sisters a year earlier in another school production, Crimes of the Heart, and we had a blast. There was a scene where she and I were sitting at the kitchen table together, listening to another character talk. As this character wraps up her monologue, Angela and I were supposed to look at one another and sort of snicker for a minute, then burst into inappropriate laughter. We wanted to get the scene right and make the laughter genuine, so in rehearsals we would murmur nonsensical phrases under our breath to try to crack each other up. We talked to each other without moving our lips, like ventriloquists, saying things like "Poop Soup," and "Buffalo Farts" until we dissolved into punch drunk hysterics. And you know what? We nailed it every performance. (Such method actors we were!)   

I've gone through boxes of old pictures, looking for more gems from our four years at Marian Heights, but I'm finding that the best photos of Angela and I are the ones from our post-high school era. When we graduated MHA and left Ferdinand, I went back to Indianapolis to attend court reporting school, while Angela--a native of the Missouri "Bootheel" region--started her undergrad career at St. Louis University. Once Angela and I realized how quick and easy it was to just slide up and down Interstate 70 (only three and a half hours, depending on who's driving), we visited each other several times a year throughout the nineties. Sometimes Angela's sister Bonita would come with her on her sojourns to Indy, and I have a memory of the three of us singing Janet Jackson's "Nasty" for karaoke at the bar my boyfriend managed. Our song selection stands out because it was the most awkward song to sing for karaoke, full of long pauses and various grunts and "ooh"s and "uhhh"s. We were laughing so hard at how weird we sounded, we could barely finish it. 

Another time Angela came to Indy for a visit, she and I decided to catch a movie---When A Man Loves A Woman---the Meg Ryan drama where she plays an alcoholic mother bottoming out. Sitting in our seats before the show, we idly wondered how much of a tearjerker the movie would be. One of us brought up the Leslie Nielsen/Priscilla Presley scene in Naked Gun where they wander out of a movie theater, laughing their asses off, and the camera pans up to reveal that they've just seen Platoon. We both joked about recreating that scene if the movie turned out to be a major downer. I think we were actually expecting WAMLAW to be weepy but fairly light, maybe something along the lines of Beaches, or Lifetime Channel for Women-type fare. We were both unprepared by how dark WAMLAW is; in one memorable scene, Meg Ryan gets blackout drunk, slaps her children around, downs a fistful of pills, and crashes through a glass shower door. It's all very brutal. 

When the end credits started rolling and the lights went up, Angela and I both looked at each other, like, "Wow, that was....a lot." 

Then she started snickering. I was like, "What?" And then she looked at me, and laughed some more, and finally I got it. I broke into a Beavis and Butthead-esque "Oh yeah. Uh, huh huh huh huh huh huh," in recognition. Shenanigans continued as we headed up the aisle of the theater, walking and laughing, catching each other's eye, and laughing some more. 

By the time we reached the lobby, we were doubled over and hyperventilating, cackling wildly at absolutely nothing. We stumbled past the cheerful ticket taker, who, noticing our mirth, called out, "Glad you ladies enjoyed the show!" And that, of course, made us laugh even harder. 

 

Angela had this great, absurdist sense of humor. I'm pretty sure she was the only friend of mine who actually read Woody Allen's Without Feathers on my recommendation. I remember her getting a bang out of the chapter with the "lost" Biblical writings.  

(Sample passage: "And the Lord produced two stone tablets and snapped them closed on Job’s nose. And when Job’s wife saw this she wept and the Lord sent an angel of mercy who anointed her head with a polo mallet and of the 10 plagues, the Lord sent one through six, inclusive, and Job was sore and his wife angry and she rent her garment and then raised the rent but refused to paint.")

In turn, Angela introduced me to the Enneagram. One of her professors was really into it, and so Angela got into it, too, and gave me an armload of books on the Enneagram during one of my visits to St. Louis. (I'm a 4w3, in Ennagram parlance; Angela, a 2w3. Interesting stuff, and IMO more accurate than Myers-Briggs.) 

With Angela as a tour guide, visiting St. Louis was awesome. She lived in the Central West End, a hip neighborhood with fun, quirky shops (Heffalump's!), indie coffee houses, and Forest Park (a larger, less famous version of Central Park). Angela lived with a roommate in this giant loft apartment with exposed brick that was straight off the set of Friends. It was cool as hell.

One of my favorite trips, though, was the summer I visited Angela down in her hometown of Bernie, MO, in the aforementioned Bootheel of the state. It's an interesting region--on the north end of the Mississippi Delta--lots of rich history, southern-inspired cuisine (I had fried okra for the first time in Bernie!), and Delta blues music. 

Anyhoo, I loved it:


I can't even put into words how much I love this photo of Angela.


My favorite part of this photo? Angela's thumb. 
Never discard "imperfect" shots. 
Someday, you'll be glad you saved them. 

 Hanging in downtown Bernie, 1993.


Me, all countrified.



Angela feeding the sheep.


In the kitchen of Angela's childhood home. 
If I could, I would so time travel back to this moment in 1993 and just hang out there indefinitely.


Around 1997-ish, Angela was accepted to a graduate program at Tulsa University (I honestly can't remember if it was a PhD or Master's program. She didn't make a big deal out of that kind of stuff. She didn't need to. Girl was smart.) I was overjoyed, because Tulsa is where half of my family lives. That meant that even though Angela would no longer be as close as she was in St. Louis, I'd still get to see her anytime I was in Tulsa. The timing was perfect---my sister Michelle and my Aunt Donna had just moved into a large rental house in an up-and-coming neighborhood on the southside of the city, and they had a loft for a third roomie, so Angela joined them. 

Seriously, looking back on it all, I can't believe how lucky I was. How lucky we both were to have all the time together that we did. It's one of the things I hold onto now.

Hanging out with Angela in Tulsa during the summer of 1999, she had some news. She'd met a guy through her church that she really dug, and it seemed serious. Like, this dude might be The One. Angela introduced me to Brian, and I got a good vibe from him. He seemed really smitten with my friend and he treated her well, which was my biggest concern. I soon found out that he was a movie buff with an offbeat sense of humor. Another good sign. During my visit, he hosted a dinner party at his apartment, and we all watched Radioland Murders. I was like, "Okay, this guy's a keeper. Well done. Approval: granted."

Angela and Brian got married in 2000. They started a family a few years later, settling down in the Missouri Bootheel to work and live. I always thought it was cool that they did that. Angela worked in mental health, and in her hometown, she saw a community that was underserved, and felt compelled to change that. Her kids got to grow up close to grandparents and cousins, in the same place she'd grown up. There was a nice symmetry to it all.

Angela and I kept in touch over the years, but we didn't see each other like we used to. You know how it goes, you grow up (a little), you get married, life gets busy and complicated, suddenly you're 40, then 50....sigh. Yeah. You know how it goes.

I'm sad she is gone, but I'm glad she was here. I'm glad she found a great partner in Brian. I'm glad she went into mental health, because there was never a person more compassionate, more empathetic, more suited to that field than Angela. I'm glad she got to be a mom, because she was really good at it. 

I'm glad I got to be her friend. 




(If you know, you know.)



Friday, February 24, 2017

RESCUED FROM OBSCURITY 
Samantha Fox - "I Only Wanna Be With You"


Okay, I'm not even embarrassed by how much I love this one. 

Samantha Fox was more of a household name in the UK and Europe, but she managed a few Top 10 hits in the US during the late '80s. She started out as a topless Page 3 girl in 1983 at the age of 16 (okay, that's gross--but the age of consent in England is 16, so 16 in the UK = 18 in the US). At age 20 she "retired" from modeling and released her first record in 1986, Touch Me (I Want Your Body), an experimental, high-concept album that explored existential angst in the Reagan/Thatcher era (just kidding! It was bubblegum pop, of course). The title track shot to #3 in the UK charts and reached #4 in the US, which surprises me to learn--as I don't remember hearing it on the radio all that much--although MTV played the shit out of the video. 

Sam Fox in the "Touch Me (I Want Your Body)" video
I recall liking the song okay, but Sammy herself just didn't resonate with me at the time. Maybe because with her hair, the rhinestones, and all that denim, she looked more like a long-lost slutty Mandrell sister than a hip MTV starlet.

Who will get this reference?
Nobody born after 1980, that's for damn sure.


So then Sam came back in 1987 with a self-titled album and a new single, "Naughty Girls (Need Love Too)" (the girl liked parenthesis even more than I do). That song hit #3 in the US and the album itself was big in other markets--again, mostly in Europe and the UK, as well as Japan--they love blondes there, apparently. I had a French pen pal around that time and he and I would send each other mix tapes and magazine clippings; I remember he sent me a French fanzine and Samantha Fox was all over it, along with a cute 14-year-old gap-toothed pop singer called Vanessa Paradis, who became famous years later as the longtime paramour of Johnny Depp. Anyhoo, I found Sam's "Naughty Girls" song amusing, but not enough to buy the single or the album. I was happy to see that she'd hired a new stylist and was no longer dressing like a wayward Mandrell sister, though.

A subtle difference perhaps, but a big improvement.

Then in 1988, when I was 15 years old and entering my freshman year at boarding school, Samantha Fox came out with her third album. This time, I broke down and bought the thing because of this fucking song. It was a guilty pleasure and I couldn't get enough.

Not gonna lie, I still adore this.  

It wasn't an original, of course; Dusty Springfield recorded it first in 1963, then the Bay City Rollers did it in the '70s, along with a ton of other artists over the years (it's one of those old pop songs that tends to get covered a lot). But I have to say, I dig Sam's version the most.  

Looking at the video today, I'm struck by how, well, mature she appears. Samantha Fox was only 22 years old here, but in a lot of these shots she looks like someone's 40-year-old mom. She'd be the "cool" mom, though, the one who reads Jackie Collins novels and buys four-packs of Bartles and Jaymes wine coolers for her teen daughter and her friends, "as long as you drink it here at the house, girls. And don't get too tipsy, now--I don't want to get in trouble with your parents! Haha!"

Come on, I can't be the only one who sees it, right?
I also liked the title track, "I Wanna Have Some Fun," even though it hasn't aged as well as "IOWBWY". (In fact, it's a bit terrible.) Still, I have vivid memories of getting my groove on to that one at The Victory,* dancing in a circle with my friends, doing the white girl thing: feet planted, lots of hip swaying, elbow and shoulder action, along with the occasional hair toss. It's how we rolled in '88.

Samantha Fox is still a public figure, although she hasn't recorded an album in several years. Nowadays she mostly pops up as a guest host on Loose Women (basically a UK version of The View) and reality shows like Celebrity Big Brother and I'm a Celebrity...Get Me Out of Here. Although she was romantically linked to KISS's Paul Stanley (!) in the '80s, since 2003 she has been an out-and-proud lesbian and was in a long-term romantic relationship with her manager, Myra Stratton, who sadly passed away from cancer in 2015. Sam is apparently dating again, however, and has been pictured with new girlfriend Linda Olsen in recent months. 

Yay, I love a happy ending! :-)


*An under-21 nightclub in Evansville, IN. Do underage nightclubs still exist? I think they must be a relic of the '70s and '80s, since I can't imagine today's helicopter parents allowing their teens to shake their asses to raunchy club tunes til the wee hours of the night in a dark warehouse, with no adult supervision.